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10 Things You Might Not Know Nearly the SM58
We're celebrating the vocal mic's 54th anniversary with true tales from its storied past, courtesy of Shure Historian Michael Pettersen.
This yr Shure celebrates the 54th anniversary of the world'due south about popular mic, the Shure SM58® Vocal Microphone. Loyal users know that this rugged and reliable mic sounds great. Merely many may not know some of the fascinating history and technical facts well-nigh it.
#i The "SM" in SM58 stands for "Studio Microphone."
Shure microphones had been a fixture in the public address market for about three decades when Shure executives saw growth potential in the radio and television broadcast markets of the early 1960s. This led to the development of the SM microphone series. The SM57 (1965) and SM58 (1966) were based on the popular Unidyne® Three 545 (1959) used for public address systems. These new SM models were intended for broadcast studio utilize, eliminating the on-off switch and featuring a non-reflective, dark gray finish.
#2 The SM58 faced extinction in 1970.
A single competitor was so entrenched in the circulate market that radio and television set stations weren't excited about the new Shure SM microphones. Sales were sluggish, and plans were itinerant to discontinue the SM58 and the SM57. Equally a final-ditch effort, the Shure national sales manager suggested introducing the mics to live sound engineers in Las Vegas. The mics were a hitting in Vegas, and entertainers began to cover these models for live performance. As they say, the rest is history.
#3 Add a meshed ball grille to the SM57, and y'all have the SM58.
Both models are based on the Unidyne 3 cartridge design developed by Shure engineer Ernie Seeler in the late 1950s. The main departure between the SM57 and the SM58 is the grille design. The SM58 was designed for vocal applications, utilizing a ball grille that acts as an constructive P-pop filter. The SM57 was designed primarily as an instrument microphone where a smaller grille size is preferred. In this awarding, P-pop is not a business.
#iv You lot tin plough information technology up to 11. Maybe even 12.
How much SPL can the SM58 handle? At what signal will the sound misconstrue? The respond is much higher than would exist safe for your ears: somewhere in the 150 to 180 dB SPL level, close to the noise level of a space shuttle launch. A well-designed dynamic like the SM58 is unlikely to accomplish its baloney point under normal circumstances.
#5 Cipher gravity is no challenge for the SM58.
In a video interview with The New York Times in Apr 2011, a wired SM58 is floating effectually and existence shared by half-dozen astronauts on the International Space Station. It sounded keen, and it provided a testing opportunity even Shure engineers could not have performed on Earth: the SM58'due south functioning characteristics when weightless.
#six Ernie Seeler, the human behind the development of the SM58, didn't like rock and roll.
It'south ironic that a quiet man who preferred classical music invented a mic that would get synonymous with rock and ringlet, outset capturing the attention of acts like The Who and The Rolling Stones. Shocked past its widespread adoption on the rock phase, Ernie Seeler said, "I love classical music, but rock and curlicue, I don't take very seriously."
#7 The SM58 was born to perform. In fact, it's practically indestructible.
The SM58 has been part of many shocking stories. We've heard of SM58s being ran over, used as hammers, or but dropped from alpine heights. Only they stand upwardly to these tests. Ernie Seeler showtime tested the Unidyne 3 cartridge back in the 1960s past dropping, cooking, freezing, and submerging it. We tin all thank the Shure Quality Assurance standards for its unfailing durability 50 years later on.
#eight The SM58 capsule is still #1 in Shure wireless.
Currently, there are xiv microphone capsules available for Shure wireless microphone systems. They range from the affordable PGA58 dynamic element to the new KSM8 Dualdyne™. Due to popular demand, the SM58 capsule is bachelor for every i of the eleven Shure wireless lines.
#9 The internal acoustic design of the SM58 can exist traced back to the Unidyne Model 55 introduced in 1939.
All Shure unidirectional cardioid microphones use the revolutionary Uniphase acoustical network that engineer Ben Bauer began developing in 1937 and used in the Unidyne Model 55 microphone (1939.) Ernie Seeler advanced this engineering science in the 1950s by designing an end-address microphone with an internal pneumatic stupor mount, the Unidyne 3. The SM58 has a Unidyne III cartridge.
#ten A multifariousness of artists have turned this mic into an icon.
The SM58 has been the microphone of choice for Roger Daltrey, Paul McCartney, Henry Rollins, Patti Smith, Alice Cooper, Buddy Guy, Inexpensive Pull a fast one on, G. Dear, Martina McBride, Megadeth and countless other musicians. In fact, it would be difficult to name a major entertainer who has not used the SM58 at some time in their career.
Final idea: The Shure SM58 has go the touchstone for a professional song microphone, perfect in class, role, and experience. For many musicians, it is the merely microphone needed for their entire career. Everywhere people brand music, and for near as long as music has been amplified, the SM58 has been "what you sing through." If any product has ever earned the title of "worldwide industry standard," surely the SM58 is it.
Source: https://www.shure.com/en-US/performance-production/louder/10-things-might-not-know-sm58
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